A view of Old Jaffa and its beach from the self guided jaffa walking tour

Self Guided Jaffa Walking Tour

Self Guided Jaffa Walking Tour

Here is a free, complete self guided Jaffa walking tour. In the following map I’ve charted my usual route when guiding in Old Jaffa, so that anyone can follow these instructions and get a pretty comprehensive experience. Zoom in for more comfortable reading. There are 3 types of location markers, which toggle a little window when clicked: The red alphabetical markers are stops along the tour, starting with “A” and progressing from there. The green star markers point to other places of interest off the route. The brown arrow markers contain the walking instructions. Below the map is the information section, with a summary about each stop. The entire self guided Jaffa walking tour can take about 1.5-2 hours. Make sure to wear comfortable shoes and bring water and sun protection ūüôā

Jaffa Tour Directions

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Jaffa Tour Directions: 32.053335, 34.752223

1. Start/Finish – The Clock Tower

Begin your tour Old Jaffa's Clock Towerunder the most central landmark in Jaffa, the old Clock Tower. Ottoman sultan Abdul Hameed II built the tower in the year 1900, to mark his 25th anniversary on the throne. The guy loved these towers and built dozens of them all around his empire. For most of Jaffa’s history there was a fortified wall surrounding it, and this spot used to be the main gate, dubbed “Jerusalem Gate”. Here was the starting point of the most important road in the Holy Land – the one leading up to Jerusalem. In later years the city expanded so far beyond the walls that they became useless, and were taken apart for construction material.

As one of the oldest port cities in the world, Jaffa is said to be named after Jaffeth, son of Noah (yes, the one who built the arc). Throughout most of history it was the main port of entry into this land, and was mentioned in the bible when Solomon had some cedar trees from the Lebanon shipped over to build the first Temple, and when prophet Jonah attempted to escape God’s will by boat. Pilgrims making the journey by sea would have had to come through here, and catch a carriage leaving for Jerusalem from this very spot.¬† For this reason, whenever along history Jerusalem was enjoying a golden age – Jaffa would flourish. Whenever Jerusalem was forgotten – Jaffa would sink into a slump.

* The New Seraya

The remaining facade of the new Seraya of JaffaThis facade is clearly visible from where you stand under the Clock Tower.¬† There were several “Serayas” built around this land (this Seraya is from 1897), as administrative centers for the Ottoman government (the Turkish word¬†saray¬†means “palace”).

During the turbulent days leading up to the Jewish-Arab war in 1948, Jaffa’s Seraya became a center for the local Arab paramilitary organizations, orchestrating armed operations against the Jewish city of Tel Aviv. Therefor, on January 1948, in the midst of a civil war between the Jews and Arabs of Palestine, the Jewish paramilitary organization “Lehi” blew it up with a truck bomb, killing and injuring dozens. The building’s southern wing (the governor’s house) was restored and reopened recently as a center for Turkish culture. The northern wing only had its facade partially restored as a monument.

2. Mahmudia Mosque

An ornate door and the minaret of the Mahmudia Mosque in JaffaJaffa’s most important mosque is also Israel’s 3rd largest one. It was renovated in the early 1800’s by Jaffa’s Ottoman governor, Muhammad Aga A-Shaami, aka “Abu Naboot” (literally: “Father of the Mace”, as he was always carrying one with him). He named the mosque after his late son Mahmud.

Abu Naboot also built an impressive water fountain, dedicated to the ruler of Akko and his superior,¬†Sulayman Pasha. It’s attached to the front the mosque facing the street, as free water was a ruler’s gracious gift to his people.

Legend has it that he built the fountain after getting stuck outside the city gates one night, tired and thirsty, and refused entrance in by his own guards, who couldn’t identify him in the dark. Next morning he returned home, and declared that last night’s guards will be rewarded for doing such a good job, not succumbing to his pleas and threats. However, since he had to spend the night out there, he overheard them badmouthing him, so now they’ll also be put to death… The fountain was built in an area accessible from outside the walls, so that no one will ever go thirsty while the gates were closed for the night.

3. The Old Seraya

Bats hanging from the ceiling of the old Seraya in JaffaThis used to be the Ottoman governor’s residence, up until the dedication of the new Seraya down by the city gates. Built in the 18th century on the remains of a crusader fortress, it originally served as an inn. Then ruler Abu Naboot made it his administrative center, complete with a post office, a jail, a well, a mosque and a Turkish bath. After the inauguration of the new Seraya, it became a soap factory, until it was deserted in 1948.

Today it contains Jaffa’s archaeological museum (not open to the public), Jaffa’s Hebrew-Arabic theater, and quite a boisterous colony of fruit bats, visible through a barred doorway facing the street (just follow the noise!).

4. The Gate of Faith

The Gate of Promise sculpture at the top of Old Jaffa hillDaniel Kafri’s sculpture stands at the top of Old Jaffa hill, overlooking the entire coastline of Tel Aviv. Its gate shape symbolizes Jaffa’s historic role as the main port of entry into the country. The gate depicts three biblical stories, all dealing with God’s promise of the land to the Jewish people: the binding of Isaac by his father Abraham, Jacob’s dream ladder, and on the top part, the conquest of Jericho.

The park all around us used to be covered with the narrow, winding alleys just we’d expect to find in a place like Old Jaffa. Unfortunately, the British blew it all up in the 30’s. This was done to allow for better military control over rioting Arabs, during the Great Arab Revolt (1936-1939). The place sat in ruins for years, until finally getting a restoration as part of Jaffa’s renewal, and planted with salt-and-wind resistant plants.

* The Zodiac Bridge

As part of Jaffa’s rehabilitation, some legends and traditions were polished off and put on display. Such is the case of this bridge: stand on it near your zodiac sign, face the sea and make a wish.

5. Ramses II Gate

Ramses II Gate in Old JaffaWe’re looking into an archaeological excavation, where an impressive gate bears hieroglyphics praising Pharaoh Ramses II, who ruled during the 13th century BC. This is a replica; the originals are kept in the Jaffa Museum. The top beam is not a replica because they never found the original.

What are ancient Egyptians even doing here? For the past several millennia, this region has had significant strategic importance. Israel was a bottleneck, connecting the two superpowers of the ancient world: Mesopotamia and Egypt. Whenever one became more powerful than the other, it would expand and take over this area; this is why we find archaeological remains from both empires over several historic periods. Think of Jaffa hill as a layer cake, containing remains from many different versions of the city, stacked on top of each other. The Hebrew term for this is “Tel”, which is a word you’ll see often if you travel around Israel.

There is an Egyptian tale of the conquest of Jaffa around 200 years prior, by Pharoah Thutmose III. The Egyptians brought over “gift baskets” as a sign of surrender and the city accepted. Later that night, Egyptian warriors hiding in the baskets sprang out, opened the gates and allowed their army to move in and take over. This was all a couple of centuries before the famous Trojan horse!

6. Alley Entrance

Old Buildings in Old JaffaOld buildings in JaffaRemember the British blowing up the top of Jaffa hill so they could take over when the Arabs rebelled? This was as far as the damage from that operation reached, and we can now start to enjoy Jaffa’s typical alleys.

The Old City was built on a coastal ridge of calcareous sandstone (think of it as a petrified sand dune), and that’s what all of these buildings are made of. You can see the rock is light and porous, so in order to achieve good insulation they had to cover it in plaster and maintain it constantly. The Old City was abandoned during the 1948 war, and rehabilitated throughout the late 20th century as an artist colony. It even has a fringe theater, which you’ll see on your way to the next stop. During the restoration of the buildings, they removed the old plaster to reveal the beautiful original stone. They replaced the plaster with modern materials, to fix the insulation problem once and for all.

7. The Floating Orange Tree

Old Jaffa's Floating Orange TreeSculptor Ran Morin’s suspended orange tree is an homage to the now bygone Jaffa oranges, which used to be the pillars of the local economy.¬† To create his art installations, Morin has worked with the¬†Volcani¬†Agriculture¬†Institute to develop methods of sustaining full size trees in unusual locations, such as suspended in midair, or on top of some 50 ft¬† tall columns.

This statue is meant to symbolize mankind’s disconnect from nature. You can also look at it the other way around – how nature always finds a way.

8. Ilana Goor Museum

The top of Ilana Gur Museum, with its sign and a plastic horse on the roofThis impressive 18th century building served as an inn for Jewish pilgrims who arrived to Jaffa by sea. After long years of neglect, successful artist, designer and sculptor Ilana Goor bought the building and restored it, reopening as a museum. The place contains Goor’s own creations in different contemporary mediums, as well as her private art collection, comprising of over 400 pieces. This covers painting, sculpting, video, ethnic and tribal art, antiques, sketches, high concept designs and everyday appliances. She acquired all of these on her journeys in Israel and abroad, spanning 50 years. This is also her private home, which makes a visit even more unique. On top of 3 floors of this “artistic jungle”, there is a sculpture garden on the roof, overlooking the coast.

For more information, visit their site.

* House of Simon the Tanner

This site is not open to the public and not on the way to anything else. I put the marker up for those of you who are interested in just seeing the location according to Armenian tradition. The locked premises contains a lighthouse and a small mosque, and belongs to a Christian Armenian family.

In the Book of Acts we read that Saint Peter was staying in the house of a tanner named Simon in Jaffa. One day he was praying on the roof while awaiting dinner, and had a vision with many animals that were unfit for consumption according to Jewish law. Then a voice told him to¬†‚ÄúRise, Peter; kill and eat.‚Ä̬†But Peter said, ‚ÄúNot so, Lord!¬†For I have never eaten anything common or unclean.‚Ä̬†And a voice¬†spoke¬†to him again the second time,¬†‚ÄúWhat God has¬†cleansed you must not call common.‚Ä̬†(Acts 10:13-15).¬†

This is one of the earliest signs of Christianity starting to break away from Judaism. Judaism sees great importance in separation – holy vs.unholy, kosher vs. non-kosher, Jews vs. non-Jews. With this story we start to see a shift through the character of the strict, Jewish Peter, being told that the time of separation is done. The very next thing he does is go to Caesarea and baptize the first non-Jew, Cornelius.

9. The Zodiac Fountain

A fountain featuring the 12 zodiac signs in Old JaffaYou’re now in a square called Kikar Kedumim (“Square of the Ancient Ones”). Underneath your feet lies the main archaeological excavation of Old Jaffa. There’s a visitor center here, featuring remains from different time periods and fun audio visual presentations. For visits, go to their website.

Among other things discovered on the excavation was a wishing well. To keep the tradition going, they added a fountain right above that spot on the square’s last renovation. You may have noticed that Jaffa has a bit of a theme going on, namely the zodiac star signs. You see them in the street names, the Wishing Bridge and of course, this fountain. This is due to Jaffa’s connection to Greek mythology, which we’ll talk about near Andromeda’s Rocks. You have all 12 signs here, depicted in very unique (and some might say trippy) designs. Try to identify them all.

One last thing to note – do you see the Napoleon figures strewn around? Those are here to remind us that Napoleon Bonaparte himself conquered Jaffa in 1799, during his attempt at getting to Turkey via Egypt. He was stopped in Akko and had to retreat, leaving behind some of his soldiers who’ve contracted the plague, at the care of the monasteries. There are rumors that he couldn’t take them back with him so he had them killed, but a famous painting in the Louvre (see it here) claims it never happened. Guess who commissioned the painting….¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬† ¬†(Napoleon. It was Napoleon.)

10. Saint Peter’s Church

Saint Peter's Catholic Church in Old JaffaAs we’ve seen in the story of Simon the Tanner, Jaffa holds a respectable place in Christianity, as a center of transformation. Thus the Catholic order of Franciscan monks (representing the Vatican in the region for the past few centuries) established a monastery and church here, dedicated to St. Peter. This was where Catholic pilgrims used to come and stay when first arriving by sea. Today the church is still in regular use, mostly by local Christian Arabs, work immigrants and foreign diplomats.

The church faces west instead of the east, to symbolize the change in the attitude of Jesus’ followers, who started addressing the pagans from the West rather than Jews exclusively. Above the altar there’s an art piece depicting a dove drenched in warm light. This is a direct reference to a similar (albeit much more intricate) piece above the alter, in the Papal¬†Basilica¬†of St.¬†Peter¬†in the¬†Vatican. The idea is that any worshiper who enters this church will symbolically leave Jaffa behind and¬†arrive at the Vatican.¬†Catholics believe that Peter was the first pope, so the connection is clear.¬†There’s also art depicting Peter’s dream and other stories from his life.

Outside, if you look to the very top of the facade, right under the cross, you’ll see a chunk of natural rock. This was brought here from Caesarea Philippi in the north, where according to tradition Jesus told Peter “you are Peter, and¬†on this rock I will build My church” (Matthew 16:18).¬†

11. The Port

Pld Jaffa's historic port with fishing boatsThis small, sleepy port used to be an explosion of people, traffic and noise. As you can clearly see, the advent of large sailing vessels made docking impossible. Thus, ships would lay anchor out at sea, and porters would make their way back and forth in little dinghies.

Many a pilgrim have described in vivid detail the experience of being hoisted by those hulking porters into their flimsy boats, sitting there shivering on a pile of other travelers belongings, terrified at the boatmen maneuvering ever so close to the rocks. Then they would stagger through the chaotic harbor, looking for their belongings and the correct paperwork in the blistering heat, until they could finally enter the city and find an inn to recover in.

During the Great Arab Revolt of the 30’s, the Arabs shut down the port for a while. Unfortunately, that only drew its end nearer, as naval traffic was¬†diverted to the competition – the new port in the Jewish city Tel Aviv. Today this port serves fishermen, boat owners and naval scouts, with a mix of art and dining spaces, a music venue (“The Container“) and fishing gear storage.

* Andromeda’s Rocks

Andromeda's Rocks at Jaffa's harborThese are clearly visible from the shore as you’re walking back towards the Clock Tower. In Greek mythology, Andromeda was the beautiful daughter of king Cepheus and queen Cassiopeia. Her mother boasted that Andromeda was more beautiful then the daughters of Poseidon, god of the sea, which naturally made these ladies angry. At their behest, Poseidon sent the terrible sea monster Cetus to lay waste to the kingdom. The only way to appease the beast was to tie Andromeda to the rocks by the coast of Jaffa as a sacrifice. She was saved at the last minute by the hero Perseus, and together they sired the Persian nation.

The whole story appears in the night sky, as the constellations Cepheus, Cassiopeia, Cetus and Andromeda. The latter contains a whole galaxy by the same name, which is the closest one to earth and clearly seen by the naked eye. This constellation connection was the reason behind the modern rebranding of Jaffa around the zodiac.


So here we are, back at the clock tower. I sincerely hope you found this self guided Jaffa walking tour helpful and fun. Feel free to use and share it for all to enjoy!




Mosaic of a white pelican feeding its young on Calvary Hill, 11th Station of the Cross

Calvary Hill Mosaics

(Click on any image to enlarge)

The church of the Holy Sepulcher is one of the most unique and impressive sites in Israel, with an appeal transcends any religious definitions. Most Christian denominations mark this place as the site of Jesus' crucifixion, burial and resurrection, but even non-Christians find themselves marveling at the Escher-esque architecture and colorful stories from its long history.


Inside the Church of the Holy Sepulcher with light coming in from above

Upon entering the church, one immediately encounters the structure that covers Calvary Hill, the modest limestone mound on top of which Jesus was crucified. Atop the winding flight of stairs lie three (out of the fourteen) Stations of the Cross - stops along the path of that fateful day. This essay will focus on the intricate mosaics covering the ceiling of the 11th station, a small Catholic chapel dedicated to Jesus' nailing to the cross.

The mosaics were¬†the creation of Antonio¬†Barluzzi (1884‚Äď1960), an Italian Franciscan monk and architect, known as "the Architect of the Holy Land". Throughout the 1930's he designed many of the¬†Catholic churches in the¬†most important holy locations, always striving to connect with ancient relics found on site and stay true to their style. Here he based all of his work on this exceptional medallion, which¬†has survived from the Crusader period (it is¬†very rare to find such ancient ceilings still in tact).

Crusader ceiling mosaic with the inscription "Ascensio" on Calvary Hill, 11th Station of the Cross

The arch leading into the chapel is decorated with two verses in Latin, taken not from the New Testament but from the Old, as if saying: if you want to understand what happened here, you must start at the very beginning. The first verse, where the words Ovis (lamb) and Occisionem (slaughter) can be seen, is taken from Isaiah 53:7 : "He was led as a lamb to the slaughter". The second, including the words Dolores Nostros (our suffering) is Isaiah 53:4 : "Surely He has borne our griefs and carried our sorrows; Yet we esteemed Him stricken, smitten by God, and afflicted."

These two verses stress that the drama here arises not from victimization by some enemy but from voluntary self sacrifice. This is in accordance with the Nostra Aetate, the Vatican's declaration from 1965 on the relation of the Catholic Church with non-Christian religions, stating among other things that the Jews should not be condemned for their role in bringing about the death of Jesus.

Calvary Hill Mosaics

Calvary Hill Mosaics

The arch leads to the first vaulted ceiling, depicting the four Old Testament prophets who have hinted at the eventual coming of Jesus, with quotes from their books that relate strongly to the topics of this chapel, the nailing in particular and the theme of sacrifice in general.

Calvary Hill mosaics

This is Isaiah, closest to the arch that bears his words, with a quote mentioning the word Oblatus (an offering). This is a different section from the same verse as the arch (53:7) : "He was oppressed and He was afflicted, yet He opened not His mouth." 

Calvary Hill mosaics

Zechariah appears with a quote from his book, including the words aspicient ad me - look at me. "Then they will look on Me whom they pierced."  (12:10). The original reading is that the nation has paid a hefty price, and the Christian reading is that it was Jesus who paid.

Mosaic of Prophet Daniel on the dome of Calvary Hill, 11th Station of the Cross

Daniel's apocalyptic book was very popular during the 2nd Temple period. The quote, the most prominent word of which is Christus (Christ), is taken from his Seventy Weeks prophecy, describing the coming of the Messiah and the rebuilding of Jerusalem (9:26) : "And after the sixty-two weeks Messiah shall be cut off". In his consecration speech in 335AD, the great Eusebius quoted this prophecy, stating that this very church was the "new Jerusalem" it was foreseeing.

Calvary Hill Mosaics

King David is depicted here as one of the prophets, quoting Psalms 22:16 : "They pierced My hands and My feet". Easily identifiable are the words manus (hands) and pedes (feet). This is a lion, all tied up and surrounded with a pack of hungry dogs.

The four prophets are surrounded with circles, portraying relevant stories from the Old Testament, all springing from the roots of a rich, fruit laden vine (representing wine, a recurring symbol for Christ). 

The large mosaic on the wall (below to the left) depicts the Binding of Isaac. Like Jesus, this boy is lying quietly, allowing his own sacrifice. This story has always symbolized the boundless love between the Lord and mankind, but here the Lord wished to spare Abraham the pain of losing his beloved son for this love, and provided a ram to take his place - thus distinguishing Judaism from the pagan world at the time, in which child sacrifice was commonplace.

This connects us to the mosaic in the far end of the chapel (below to the right), showing Jesus, looking very similar to Isaac, being bound (with nails this time) to the cross. Note the small thorn bush in the back - but this time there is no ram caught in it. God does not spare himself the pain of sacrificing his own beloved son for his love of mankind.

Also in this mosaic we see Mary, mother of Jesus, standing in black above him. The woman crying over him is Mary Magdalene, who can always be identified by her unruly red hair, bursting out of her head cover, hinting at her strong personality and emotions.

Calvary Hill Mosaics

Mosaic of the nailing of Jesus to the Cross with Virgin Mary and Mary Magdalene, on Calvary Hill, 11th Station of the Cross

The adjoining wall is dominated by Mary Magdalene in her grief. Again her hair/emotions cannot be held back, with Mary the mother of Jesus and Mary of Cleopas silent and reserved by her side. The man in red is John, Jesus' favorite disciple, whose beardless face show he must be very young here. According to tradition, the very same man grew up to write (among other things) the Gospel of John and the Book of Revelations, near the end of the 1st century. In the background we see the walled city of Jerusalem, reminding us that this place, now in the heart of the busy city, used to be an empty, wild wasteland.

Mosaic of grieving Mary Magdelene on Calvary Hill

As we advance to the next vaulted ceiling, we also advance in time into the New Testament. In the center¬†there is a decorated circle. Inside are a Christogram, a¬†combination of letters that forms an abbreviation for the name of Jesus Christ (in this case the¬†letters chi (őß) and rho¬†(ő°), the first two letters of "Christ" in Greek), and the letters alpha¬†(A) and omega (ŌČ), first and last letters of the Greek alphabet (mentioned in Revelations 22:13 : "I am Alpha and Omega, the beginning and the end, the first and the last." ).

Dome covered in mosaics on Calvary Hill, 11th Station of the Cross

Mosaic of Alpha and Omega with a christogram on Calvary Hill, 11th Station of the Cross

Saint Peter

Mosaic of Saint Peter on Calvary Hill, 11th Station of the Cross

 Saint Paul

Mosaic of Saint Paul on Calvary Hill, 11th Station of the Cross

This fruit laden vine is as rich and plentiful as the one depicted on the previous ceiling, but among the baskets of abundance hide other symbols: the cup of agony (below to the left) and a reed with a vinegar-soaked sponge next to a spear (below to the right), reminding us of the price that was paid. 

In the middle we see that the cross has became the tool by which Christ can redeem the world - an idea dubbed salus mundi. It is surrounded by 12 white doves, representing the apostles of course, but also the dozen tribes, signifying the universal nature of this idea.

Mosaic of vines, fruit and the Cup of Agony on Calvary Hill, 11th Station of the Cross

Mosaic of a Salus Mundi style cross, with a face in the middle and 12 white doves on Calvary Hill, 11th Station of the Cross

Mosaic of vines, fruit, a spear, two whips and a hammer, on Calvary Hill, 11th Station of the Cross

Thus ends the story of this little chapel, which has led us from the first sin and away from heaven's Tree of Life, through prophecies, failures and hopes of redemption, all the way to the cross on Calvary hill - literally a Tree of Death - by which all humanity can to be saved.

A view of Jaffa Gate and the Tower of David, all lit up with art installations that resemble a garden, at the Jerusalem Light Festival

Jerusalem Light Festival 2015

The Jerusalem light festival (a.k.a "Light in Jerusalem") is celebrated every June since 2009.

Every night for a whole week, parts of the Old city are turned into a glowing garden, with installations by local and international artists, street performers, music, all free of charge, and of course, stalls selling snacks and all manner of glowy  things.

This is a compilation of photos I took that night - click on the images to see a pop up of a large version.

This year I had the perfect chance - I was ascending to Jerusalem anyway for a full day of study in the Church of the Holy Sepulcher (more on that in a future entry), so I recruited a good friend and we stayed in town until darkness set in. 

At 8pm sharp we exited the church to find that even though it wasn't quite dark yet, the Muristan fountain in the Christian quarter was already lit.

There was some wonderful music playing, and the view was completely different from every angle you looked.

Jerusalem Light Festival

Along the alleys2013-03-02-11.34.43.jpg there were glowing lines, denoting the different trails leading through the installations. In the photo above you can see we were on the blue trail, but soon left it to find the information center at Jaffa gate.

Before we actually got there though, we were stopped by some wonderful jellyfish.


Jerusalem Light Festival

Jerusalem Light Festival

Jerusalem Light Festival

When we got there, the place was swarming with crowds, and set up like a somewhat psychedelic Alice in Wonderland garden.

Jerusalem Light Festival

Jerusalem Light Festival

We picked up some maps and decided to follow the green trail. 

Jerusalem Light Festival

Jerusalem Light Festival

The green trail hugged the outer walls, and after climbing along for a while I turned around to look back to see this view.

Jerusalem Light Festival

Jerusalem Light Festival

There was a French installation here, called Fish Forest.  

I admit that to my clearly un-artistic eyes, it looked a bit more like fish shish-kebabs.

Then we arrived at the Field of Light Flowers, an Israeli piece that kept reacting to the music, and everything else was forgotten...

Jerusalem Light Festival

Along the trail there was also this Singaporean bench called C/ŌĹ, where strangers could sit together and enjoy the changing colors.

We finally arrived at Damascus Gate, and sat down to enjoy the exhibition of drawings on the subject of gates. The work was done by children of all ages from schools around the country, and  projected on a most lovely canvass.

Jerusalem Light Festival

Jerusalem Light Festival

Jerusalem Light Festival

Jerusalem Light Festival

Also... Yes, this happened too.

Jerusalem Light Festival

From the gate we cut straight through the alleys of the Muslim quarter, to rejoin the blue trail inside the Cardo, where we saw this exhibition of shadow sculptures.

Jerusalem Light Festival

The Cardo kept going with two more installments: "Sea Level" by Brazillian artists, and the Japanese/French "Daydream".

Jerusalem Light Festival

Jerusalem Light Festival

I took a quick detour through the main plaza of the Jewish quarter, to check out the giant Pendulum (Netherlands) placed outside "The Ruin" synagogue. Click on the video to see it in action.

Jerusalem Light Festival

It was getting late so we decided to head out, picking up the white trail. Near Zion Gate we saw a live sand animation show...

Jerusalem Light Festival

... And another light & movement show, called Light Trickeries, performed by Pyromania Group.

Here we saw another favorite of mine: Dialogue in Color, by Israeli artists, so fitting to the region we live in.

Jerusalem Light Festival

The ramparts of David's Citadel were covered with a French installation, called Variations.

Jerusalem Light Festival

... And that was my experience in the Jerusalem Light Festival 2015. There were many more installations I didn't even visit and many I didn't photograph, lots of people, lots of music and lots of light. 

What a wonderful way to infuse these old, old stones with new life, color and joy.

Jerusalem Light Festival